- RODECASTER PRO 2 ADOBE AUDITION SOFTWARE
- RODECASTER PRO 2 ADOBE AUDITION ISO
- RODECASTER PRO 2 ADOBE AUDITION MAC
The output cable from the interface is a 1/4 inch double TS to single 1/8th inch TRS plugging into channel 1 audio on the ATEM. Within my S1 DAW, I'm sending audio into a brick wall limiter, pushing peaks to -1.5 dBFS but average is about -10 dBFS. I have left and right side hard panned (left is hard left, right hard right). I'm processing the audio within Studio One 6 Artist DAW, and then sending it back to the USB interface to the ATEM audio input 1 as dual mono line level.
RODECASTER PRO 2 ADOBE AUDITION MAC
I'm getting my audio through a pair of linked master auxiliaries from the mixer that is dual mono (treated as pseudo stereo), it goes through a Presonus Studio 68c interface into my Mac Mini M2. My audio comes from my audio mixer, the Soundcraft Ui16 virtual digital mixer. However, I think the audio section will be similar.įor my Livestream, my video is via 2 PTZ cameras from HDMI, no audio here intentionally as the cameras have no audio input. Note I'm using the ATEM Mini Pro, not extreme ISO. Maybe some of this info will help in some way. They watch the output level from their boards. Typically this is done by the broadcast mixer or the FOH mixer if we don't have broadcast manned. So we make adjustments during the live stream. Going from band to a single speaker the levels change a lot. We don't use the EQ or dynamics in the ATEM.įor us it's not set and forget. We try to keep the MIC1 meter peaking into the red a little by either adjusting the gain knob or the board output level.
RODECASTER PRO 2 ADOBE AUDITION ISO
We have the mini extreme ISO and find our sound levels on youtube to be a bit low.
We keep the MIC1 and Master faders at unity. We set MIC1 to 'line' and our gain knob is around 2'oclock. We have a cable that goes from the two balanced plugs to the 1/8" stereo plug. In our set up we take stereo from our sound board via two balanced outputs. For example if using MIC1 set the fader to unity and then adjust the preamp gain knob until you see movement following the audio input with meter levels around 2/3 the way up. If the meters are fixed at whatever level you set the fader then you are clipping the preamp. So whatever choices you make in both points above you want to adjust the gain knob so you see movement of the level meters.
RODECASTER PRO 2 ADOBE AUDITION SOFTWARE
Then you need a converter.Ģ.) In Software Control you have options to change the MIC inputs- mic, line, stereo, etc.ģ.) The level meters in Software Control are post-fader, not post-preamp. I'll offer some things I've learned from the forum and experience-ġ.) You can try cables that will go from balanced to unbalanced as long as you don't have noise (either ground loop hum or induced EMI). Yes I can boost them in post production, but I'm trying to speed up my workflow. Any thoughts would be GREATLY appreciated.
I've tried upping the Mic 1 level in the ATEM Control software but that doesn't seem to do anything to the level of the audio going out to the livestream OR on the SSD.ĭoes anyone have any suggestions for boosting the Audio levels? Also the audio levels are the same volume in the Davinci Resolve project as well. Like when I pull the recording into Adobe Audition the peak level is like -20dB. However when I grab the Audio Recording off the SSD that I attach to the ATEM, the levels are SUPER low. The volume on the LiveStreams are fine, everyone can hear us, and no complaints on the audio levels. When I'm streaming, I can see the levels on the RodeCaster are fine with the Mic inputs and I've cranked the Studio Monitor Output to max into the ATEM. RodeCaster Pro II Studio Monitor Outputs to ATEM Mini Extreme ISO Via 1/4" L/R audio cables into 3.5mm Mic 1 Input on the ATEM Mini Extreme ISOĪTEM via USB-C to Mac Studio with M1 UltraĮVMUX to LiveStream out to Facebook & YouTube Shure SM7B Microphone via XLR to RodeCaster Pro II I'm live-streaming using the following setup:
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